The Kobo Trust Foundation

lunes, 13 de octubre de 2014

Untold Stories


The title came up when artist and children were working together. It was hard for them to find a name that could describe all the paintings. They observed and realized that the one thing they all had in common was a collection of life experiences and moments that brought them together to that place.
All of us have stories that maybe nobody knows, the artist and children consider that their paintings are the definition of this, of all the untold stories they have and how does they reflect all of them in each of their paintings, because this art is a reflection of the past, present and future of each of our artist and children, all of the experiences and moments they passed through their lives.

The are many stories from the children and artist that we might never get to know, but all of those stories are the reason of why they are the way the are right now, and through the painting we might get little inside on the untold stories of their lives.

The artist collaborating with the "Untold Stories" art exhibition and art project

ONYIS MARTIN



Onyis Martin was born in 1987 in Kisumu, Kenya, when he was only 6 months old his family decided to move to Nairobi, born in a big family with 6 sisters and 1 brother, Onyis started to notice that he had a great talent as an artist, since he was only 5 years old.
He didn’t went to nursery so he entertained himself painting, and he used to paint almost everywhere, his passion in art started to grow, and when he was 18 years old he decided to engage definitely with this profession.
Onyis is always looking forward to help in different communities of Kenya, he gives some art classes in different slums, and he really enjoys working with kids because as he said, “I like them to be happy I like when they smile”.
Through his paintings, Onyis leads us into his own cultural world, a world in which the sacred and the profane constantly mingle, in which worship and domestic life are one and the same, in which every gesture has a pre-established purpose and in which everything has a meaning. Within that culture, everything is determined in advance; everything that occurs in the present can be explained in terms of the past and has to be ritualized so as to be integrated into everyday life, which is itself a ritual. As we walk into his paintings, we have to look deep into our own souls for it awakens sensations and feelings, which we, caught up as we are in an inhuman, and artificial world, thought were lost for ever.
He is also a NLP practioner, Systematic work therapist and Thai Yoga masseuse.
Using mixed media including paper collage and cloth, today, his subject matter consists of aspects of everyday life, a lot of which includes figurative paintings of the Kenyan disposition. As Martin explores different styles, we are privy to some harmonious and some disordered works… all part of the growing pains of becoming an artist.



Dickson Kaloki
Kaloki was born in 1985 in Kitui District , Eastern Kenya. At an early age he interest in art began to grow, thanks to the encouragement from his mother. She taught him how to draw with love and passion in his work. His early drawings were of anything he came across and he drew almost everywhere, he always got himself into trouble. Kaloki received his primary education and attended secondary school. He attended college to study Interior Design however he was unable to complete it because it was too much financial pressure on his parents. He joined Kuona Trust Art Centre in 2005 and started learning from other artist through workshop and public projects.
Dickson Kaloki is a self-taught artist whose work is calm and intense all at the same time with his use of materials and techniques. His motivation comes from memories, dreams and his creative processes. He gets inspiration from the slums, town buildings, fashion design and people’s way of life.
He captures the mood of the slums by telling a story through his paintings. Layers of charcoal and touches of scratches enables him to be even more connected to his work. He gives each painting all his attention and presence.
You may ask why paint the slums. Kaloki believes it holds the unseen beauty. People negatively misinterpret the slums but in reality it is filled with community, life and love among people living together despite the hard living conditions. Every time he goes there he reminisces about his child hood, Good and bad memories, each day was a different experience, where he found freedom within himself to became an innovative and exciting artist.

Kaloki has manage to do exhibition both locally and internationally . in Germany ( colon and berlin) , Spain , Denmark  and London .